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Get that bleedin' kettle on

Screwing the songwriter

From the Register - Apple screws songwriters (again) : 


Apple threatened to close down its iTunes Music Store if the composer's share rose from nine cents per song to 15 cents per song.

...and:

Apple and the Digital Music Association had wanted to screw composers even harder: pushing for a reduction in the rate to 4.8 cents per track, or six per cent of "applicable revenues".

Being as there are no comments allowed on that piece, I'll rant away here - who do we go to if we want to make sure the artist gets paid more? Do download services like Boomkat, Zero-inch, Amazon (boohiss, not in the UK yet), 7digital, or Play.com pay the artist more, or is it just set through a shadowy central organisation funded by record companies? Or is it just better to torrent away and Paypal a fiver to the artist every so often? 

I don't know if the general public gives a shit one way or the other, but I'd be more inclined to use a service if one of their advertised selling points was that the artist gets more than through iTMS. What I'd like is a search engine that would search all the MP3 download shops for me, returning the price I'd pay, and how much the artist gets of that.

Filed under  //   apple   musicindustry  
Posted October 1, 2008
// 1 Comment

Françoise Hardy - Je changerais d'avis



Smack bang in that fantastic happy-sad area, here's Ms Hardy's rather more fragile version of the original Morricone number done by the brassy Mina as "Se Telefonado".

I can't decide whether I prefer that version of the video, where she seems to be stomping around, lost in a television studio, or this version with a surreal backdrop:

Filed under  //   francoisehardy   french   music   video   youtube  
Posted October 1, 2008
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Rolling Stones - "Too Much Blood (Dub version)"

Via Intergalactic FM, this mental '84 vintage dub mix from Arthur Baker (with tape splicing by those cheeky Latin Rascals) reportedly barely features much of the Stones themselves, mostly just a ripped-to-the-tits Mick screeching and ranting on about Michael Jackson and "Thriller" ("there's this movie script about this werewolf? wassit all about, i mean give me a facking break" "oh very facking funny Michael - meanwhile back in the jungle...") to a hugely dancey percussive backdrop, heavily on the Liquid Liquid feel.

DJ Paul T has the rip if you want to investigate further - this mix ain't available on iTunes, I would have paid good money for it too.

Filed under  //   mp3   music  
Posted September 24, 2008
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Intergalactic FM launches

Always loved and much-missed Holland-based electronic/disco/soundtracks radio station the Cybernetic Broadcasting System is reborn as Intergalactic FM with two out of three streams up and running at the moment - IFM2 is "The Dream Machine", featuring around the clock space, soundtracks and electronics, whilst IFM3 is "Intergalactic Classix" featuring loads of electro, Italo and hiphop. 

Sounds great so far - I was cynical about splitting off the spacey, soundtracky stuff off from the typical Italo and disco classics, but it's been working out pretty well so far. 

Filed under  //   cbs   intergalacticfm   music   radio   radiophonicworkshop  
Posted September 24, 2008
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Pram @ 7 inch cinema at the Bablake Old Boys Club in Coventry

I'll write a bit more of this up at the other place shortly, but here's some initial disorganised reporting on the weekend. 

As part of the "A Thing About Machines" art festival, Pram did a show somewhere half-between a DJ and live set with a whole bunch of tape loops and ancient devices.  

There's something about the sound of tape, and the organic quality that it lends to otherwise harsh electronics really came out in Pram's set, which was more textural than beaty or particularly melodic. Being improvised, it dragged here and there, but only occasionally. And for all the use of old techniques and electronics, it seemed much less dated than Mr 90s Drum And Bass Violin Player at Taylor John's later on, brrrr. 

Gear spotting twat that I am, there were a couple of synths, an 8 track tape deck, a Roland Chorus Echo, a glockenspiel and - hope I'm not giving some sort of secret away here - this odd device on the middle right of the pic below, which is a jam jar mounted on a some sort of old industrial electric motor.

The operator takes a tape head (presumably plugged into the mixer) and wipes it along the tape as the jam jar rotates, quite ingenious. I'm not sure what sounds were coming from it, but I'm thinking that you could have a bunch of sustained notes from an organ set across the jam jar and play it like the bastard offspring of a Stylophone and a Mellotron.

Oh and and a celebratory packet of Tooty Frooties or some other retro sweet should go to Scott Johnston of Film Ficciones for providing me and my sister with the retro-thrill of the evening, a tiny clip of Children's Film Foundation film "Glitterball", we recognised it straightaway.


Filed under  //   7inchcinema   athingaboutmachines   coventry   festival   gig   pram  
Posted September 22, 2008
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The end of capitalism (as we know it?)

If financial behemoths like AIG are too large and/or too interconnected to fail but not too smart to get themselves into situations where they need to be bailed out, then what is the case for letting private firms engage in such kinds of activities in the first place?

Is the reality of the modern, transactions-oriented model of financial capitalism indeed that large private firms make enormous private profits when the going is good and get bailed out and taken into temporary public ownership when the going gets bad, with the tax payer taking the risk and the losses?

If so, then why not keep these activities in permanent public ownership?

(from http://blogs.ft.com/maverecon/2008/09/the-end-of-american-capitalism-as-we-knew-it/)

The recent financial crisis has been both fascinating and scary, a brief glimpse into a world seemingly built on, shit - nothing at all - just confidence. I've been glued to the telly all week, watching Channel 4 News and listening to the reassuring tones of Eddie Mair on Radio 4's PM explain the Lehman Brothers collapse, the HBOS shenanigans, and the practice of short-selling.

All of the self-appointed experts don't quite seem to agree on much apart from, um, it's going to get worse.

Filed under  //   finance   quote  
Posted September 22, 2008
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Broadcast - Black Cat


Is/isn't Trish?

Filed under  //   broadcast   music   video   youtube  
Posted September 22, 2008
// 1 Comment

Scary heads

Filed under  //   photography  
Posted September 22, 2008
// 0 Comments

Squirrel bike death

Eeek. (via http://www.flickr.com/photos/bike/76039319/)

Filed under  //   cycling  
Posted September 18, 2008
// 1 Comment

Gakken mini-synths arrive from Japan: I r way too excited

Quite rubbish sort of day at work, have to drive home with shopping, boooring, walk in through the door and...

...there's a parcel from Amazon Japan arrived. COME ON.

Western analogue synth types have been going mad for an edition of a Japanese science magazine called Otona No Kagaku, because its latest issue comes with an analogue synth, for about £15.

Yes, can you hear this Roland and Korg - an analogue synth. Didn't you say something about it not being economic to make these things anymore? What?

So bring on the traditional unboxing porn.

With postage it came to about £50 delivered for the two - ordered early on in August and finally posted late last week.

Mmmm, Buchla. The magazine is great, wish there had been a international edition. Didn't realise the GX-1 came with its own chair. Oh, where's that synth thing?

So comes as a kit, although there's not much work to do, just some screws and knobs to attach. You'd half expect Rolf Harris to be on the front of this - it looks inspired by the Stylophone. Here's the circuit board.

When I first put the thing together, I didn't screw the terminals for the carbon strip down enough, so I was only getting one high pitch out of it. Make sure they're tight, and it's all ok.

'Scuse the dusty mixer. The speaker is really tinny but bloody loud (just like the Stylophone...) on the hi setting - best go through an amp and some decent speakers to really hear the thing.

It's a single saw tooth oscillator only, with a square or triangle LFO which gets quite fast, possibly into audio ranges, but you can't alter the depth of the effect. The attack and decay knobs seem to be attached to the pitch and VCF. You can get quite blippy with the decay set short and the cutoff set low-ish.

By all accounts the filter is based on the Korg 35 in one of the versions of the MS20, and it sounds pretty good, but the resonance is either on or off, which is a bit of a shame. It's not easy to play a tune on the thing - the Stylophone had individual pads for you to scrape the stylus on, the SX-150 has a continuous ribbon which makes it easy to do lots of swoops and glides, but hitting definite notes is really tricky.

I had a quick fiddle with the "ext source" input, hoping that it would track one of my synths keyboards in a linear fashion, but unfortunately not - once I'd jacked up the level into it enough for it to trigger, it jumped multiples of tones between keys.

Here's some of my fiddling, bunged through an old analogue echo for extra hiss and nastiness.

(download)

There's been some thoughts about mods already for the thing, with most of the interest and resources being in Japanese so far. Masa921 has some mods - I've got to have a go at the "VCF resonance atrocities" fix, it sounds great - check the MP3 demo. Also the SQ-150 sequencer project looks like a great add-on - maybe Otona No Kagaku could run that in their next issue? Don't make me get the soldering iron out, I'll only damage myself. Here's a mildly hypnotic demo of the SQ-150 on Youtube.

There's also a MIDI interface project floating around, but I'd rather keep it triggered off cv/gate if possible. Gan, the designer of the SX-150 mentions that the stylus acts as cv and gate, so there must be a way through there.

Filed under  //   gakken   synth   video  
Posted September 17, 2008
// 5 Comments