So Muxtape was killed off a while back, death by the inevitable hand of the RIAA, and several services have sprung up in its wake. I've got to be honest; the first I'd heard of 8tracks was through the Flavorpill Daily Dose email - score one for traditional e-mail marketing... It operates in a similar sort of way to Muxtape, allowing you to upload tracks (as MP3s) and order them into a mixtape. There's some extra functionality in that you can comment on other people's mixes, search across genres and artists, and also create more than one mix per user name.
They're working on getting links to Amazon set-up so you can buy the tracks - it would be great if they could work with smaller suppliers like 7digital and Boomkat too, but I imagine that's kind of unlikely. I've already been trying to get hold of "Hot Hands" by Hot Hanas Hula from Acieed Ed's mixtape above, but as per - can't find it in any online stores.
8tracks are also offering a beta-y
Uploader for the Mac - and it seems to work pretty well. I got a bit confused when alt-tabbing, wondering where it'd gone, but then realised the program goes into the menubar at the top. I never said I was clever.
Just before it uploads your tracks, it seems to do some processing - CPU jumped massively on my Macbook. I'm guessing this because of the "Identify tracks using MusicDNS" tickbox.
MusicDNS is a way of fingerprinting tracks to recognise what they are - wonder where this feeds in to the process? As I say, all the fans in my laptop whirred up at this point and everything slowed down, so I'd probably recommend turning the Performance level down to low in the settings.
There's no bandwidth restriction setting for uploading as far as I can tell, it'd be nice to be able to set that.
At this point you're probably thinking - right, this ain't going to last very long, the RIAA will send the boys round to smack some bottoms - but 8tracks is running as if it's operating a radio station, only the DJs are us, uploading the tracks and creating the mixes. There are some restrictions on the licence try and not compete with bought music, to ensure that the service can fit into the idea of being a radio station - from their
legal page:
Hence, the rules of the compulsory license require that the sequence of playback cannot be pre-determined by a listener, and the listener may also not know what song he or she will hear next (i.e., no pre-announced playlist). Accordingly, a user cannot see the all of the songs included within a playlist at the outset and then fast-forward or rewind to songs of interest (which would make the service interactive). Similarly, there are limits on (a) the number of songs that can be included from any one artist or any one album on a given channel or playlist within a 3-hour period, and (b) the number of tracks that can be skipped per hour on a given channel.
I mentioned 8tracks on Twitter, and promptly got a tweet back from 8tracks to say one of the people behind 8tracks helped set up
Live365, internet radio behemoth, so I imagine there's a bit more behind this than the "let's do it and sort the legal stuff" later attitude from Muxtape, which incidentally, is coming back
this month, for bands. It'll be interesting to see how that pans out, there's already a lot of online apps working in that area at the moment - not that I can remember any of their names, which is indicative - but with Myspace having gone nowhere fast over the last few years, maybe there's room for them.
I had some other half-formed thoughts about Muxtape - it was so basic, the interface was so wonderfully pared down, in the same way that Twitter is, it soon attracted a bunch of user-created services around it to extend it and provide functionality that was missing. I was wondering if that could be a tactic for building online apps, just to make something really pared down that does the job with a hugely simple UI, and provide a solid public API for the more engaged users to code against and produce new uses for your data.
Yeah, I told you it was half-formed. Anyway, enough pontificating, here's an acid mix, going all the way from Phuture in '87 through to Chris Moss Acid and AFX in the 00s.